The Pascal Pulse - Issue #18

Pedro’s connection to his Chilean roots and the broader Hispanic and Latin American community is an essential part of who he is. His visibility and pride continue to open doors, inspire representation, and bring people together in ways that go far beyond fandom.

We’ll continue learning how to celebrate thoughtfully, by uplifting others, sharing space instead of taking it, and always leading with respect. And to those we may have overlooked this time, we see you, we admire you, and we’re sorry we missed the moment to say it sooner.

With care and continued learning,

-The Editors

Move over, “Netflix and chill”, it’s officially HBO and Disney+ and chill season. 🍿Grab your popcorn and relive the Summer of Pedro. From romantic chaos to cosmic heroics, the man has range and now we get to stream it all from the comfort of our couches.

Marvel’s The Fantastic Four: First Steps will begin streaming on Disney+ November 5, 2025, following its July 25 theatrical premiere and an impressive $521 million global box-office run. It’s already available to buy and rent digitally!

Materialists, starring Pedro alongside Dakota Johnson and Chris Evans, will be available exclusively on HBO Max starting November 7.

After earning over $100 million at the global box office, Materialists finally comes home to streaming.

Be on the lookout, Eddington premieres on HBO Max November 14, followed by its HBO debut November 15 at 8 p.m. ET.

Ari Aster’s acclaimed new satire stars Pedro as a small-town mayor caught in a tense standoff with Joaquin Phoenix’s sheriff during the pandemic. After its seven-minute standing ovation at Cannes, Eddington finally lands on HBO.

This month, Lux has been everywhere and every moment has felt like a celebration of honesty and creative power.

In her conversation in Interview Magazine with Naomi Watts, she opens up about identity, self-expression, and the freedom of being seen without secrets. Read it here

She also appears in EL PAÍS to discuss her journey in film and modeling and reminds us that visibility isn’t solitary: “I’m not the only trans person in Pedro Pascal’s life.” Read the article here

And most recently, her feature in L’Officiel Chile, “Espíritu lúdico,” showcases her modeling and elegance — including her work with Dior Beauty at the Cannes premiere, and a chic photo session at Château de la Colle Noire. Check it out here

While her words inspire, her work speaks just as loudly. Lux’s recent modeling campaigns have been stunning, full of warmth, confidence, and quiet power. We’re endlessly proud of her and can’t wait to see what she does next.

Clint (Freaky Tales): Wears a grim reaper mask, because he’s the kind of man who laughs in the face of consequence - the world’s ending anyway, might as well party on the edge.

Dave York (The Equalizer 2): Pulls up in a Ghostface mask, smirking under the plastic; a soldier hiding his sins behind a pop culture wink, perfectly blending charm and menace.

Dieter Bravo (The Bubble): Dieter doesn’t just attend the party - he performs it. He bursts through the door in full drag king glory, dressed like a glitter-slick Elvis had a baby with Freddie Mercury. Think rhinestone suit tailored within an inch of sin, chest hair penciled on with artistic precision, and a pair of gold aviators big enough to hide every insecurity he’s ever tried to laugh off.

Din Djarin (The Mandalorian): Keeps the beskar helmet on, because vulnerability isn’t part of the creed; even at a party, his silence speaks louder than anyone’s small talk. When pressed, just mutters, “This is the way.”

Jack Daniels - Whiskey (Kingsman: The Golden Circle): Jack doesn’t bother with a costume - Halloween’s just another excuse to be himself, and himself happens to already be a costume. He rolls up in his usual cowboy hat, polished boots, and denim that probably costs more than anyone else’s rent, smelling faintly of bourbon and bad decisions. There’s no mask, no pretense - just that lazy, dangerous grin and a belt buckle that could blind a man under party lights.

Javi Gutierrez (The Unbearable Weight of Massive Talent): Javi arrives glowing - not metaphorically, literally, because his joy radiates like a neon heart. He’s wearing a Nicolas Cage face mask, the glossy, slightly uncanny kind you’d find at a novelty store, but on him it looks like religious devotion. Clutched tightly in his arms is his beloved Nic Cage pillow, soft, satin, and absurdly well-loved, which he hugs as if it were a sacred relic.

Max Phillips (Bloodsucking Bastards): Max saunters in like he’s crashing his own family reunion - old-school Dracula with a corporate twist. The cape is velvet, blood-red and ridiculous, swooping dramatically every time he turns, because of course it does. His fangs are real, but the smug smirk behind them is sharper. Underneath the theatrics, he’s still wearing a designer vest and cufflinks that gleam like they’re about to sell you a dream or drain it.

Ezra (Prospect): Ezra drifts into the party like a rumor carried on fog - pale, deliberate, and hauntingly overdressed. He’s gone full undead Edgar Allan Poe, complete with a ruffled collar wilted by candlelight, dark circles smudged with more truth than makeup, and a glass of red wine he keeps calling “vintage despair.”

Francisco “Catfish” Morales (Triple Frontier): Frankie doesn’t play dress-up - he just pulls the ghosts out of his own closet. He shows up in his old flight suit, creased from years of real service, patches faded, boots scuffed to honesty. The kind of uniform that carries the weight of memory more than pride.

Harry Castillo (The Materialists): Harry enters the room like he’s been summoned, not invited - old money wrapped in old heartbreak. He wears a Phantom of the Opera half-mask, satin black with a subtle gold edge, the kind of accessory that whispers rather than shouts. His suit is tailored to ruin you: charcoal velvet, the lapels kissed by candlelight, and the faintest trace of cologne that smells like memory and smoke. He’s the man who’s read too many love letters and burned half of them, who still believes in romance as an act of endurance. Every glance feels rehearsed, every sigh cinematic.

Javier Peña (Narcos): Javier shows up like a man who didn’t plan to - Día de Muertos skull mask, hand-painted, chipped at the edges, and unmistakably real. The colors are vivid but somber, marigold and bone-white, as if grief learned how to dance. He keeps his tie loose, shirt sleeves rolled, the look of someone who tried to leave his badge at home but couldn’t quite manage it. Beneath the mask, he’s still the same - eyes heavy with ghosts, jaw set against memory. He doesn’t speak much; he doesn’t have to.

Joel (The Last of Us): Joel shows up late, muttering that this whole thing is “ridiculous,” but he’s wearing the duct-tape zombie mask Ellie made, crooked and lopsided and patched with love. It’s more glue than art, with one eyehole too small and fake blood smeared across his stubble, but he wears it anyway - because she asked him to. His flannel’s rolled up, his hands are calloused, and there’s that small, reluctant smile that sneaks out when she teases him about how “authentic” he looks.

Marcus Pike (The Mentalist): Marcus doesn’t just show up - he arrives, trench coat sweeping like fog over a 1940s runway. His mask? None at all. Instead, he channels Rick Blaine from Casablanca - crisp white dinner jacket, undone bowtie, that soft ache behind the eyes.

Celebrate the extraordinary career of Pedro Pascal with this beautifully curated tribute to one of Hollywood’s most captivating stars. From Game of Thrones to The Fantastic Four, the Pedro Pascal Yearbook 2026 explores his defining roles, activism, and unique sense of style, complete with exclusive stories, stunning photography, and 10 collectible posters.

Ships worldwide beginning October 29

from YourCelebrityMagazines

Inside, enjoy 5 amazing gifts - including a 2026 calendar, 2 glossy posters, a premium sticker sheet, and more! Plus, discover Pedro’s rise to fame, his unforgettable performances in The Last of Us, The Mandalorian, and The Fantastic Four, and why fans everywhere have fallen for his wit, warmth, and authenticity.

Published: October 26, 2025

Next Issue: November 2 2025

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